Have to Create a Buzz

April is bee season in Moshav Beit Zayit. The little black and yellow furry things with wings are busy sucking the nectar from our obese pink roses. roses
Whenever a bee buzzes near me, I run the other way, but I understand that as an author with a new book I will have to create a buzz. Not to worry. My new book is neither completed, nor has it found a home. Nonetheless, I have to work myself up to creating a buzz, a mode of communication that does not come naturally.
One can’t launch a buzz until one has a title copyrighted and settled.
I’ve narrowed down the list of twenty-four possible titles to two: Possibility One: The Mourning After: A Hybrid Memoir of Delayed Grief . Possibility Two: The Kitchen Sink: A  Hybrid Memoir of Delayed Grief. I’ve copyrighted both names, just in case this post reaches the eyes and ears of a writer who wants to steal one of them. I don’t think anyone would want to steal one of these names, though, since writing a hybrid memoir about delayed grief could take you forty years. I’m sure you have better things to do with your time.

I know it could take forty years because that’s about how long it’s taken me to reach this  current version. Each decade I rewrote it, but this decade’s revision seems to be the best. I forced myself to listen only to my still, small voice and focus  on the story.

You won’t learn much about Jerusalem’s history  or the Cuyahoga River from my memoir. Pick up my book (in 2015 or after) only if you’re interested in one woman’s experience with delayed grief. You’ll see how an information vacuum  causes the imagination to go berserk. You’ll also laugh a little, because it’s important to laugh when a book deals with grief.

During my current revision I mention  a gun in Part One. Maybe by the time my book is published (I’m feeling confident it will find a small publisher who adores the hybrid memoir, some starving person between Buffalo and Taos.) the gun will go off in Part III. I too can’t wait to see how I figure that one out. It’s a memoir, after all.
The main difference between this version of my memoir and versions from the eighties, nineties and the first decade of this century is that then I was an emerging writer and now I am a mature writer. At a workshop in Wales in 1990 or so, a published writer told me, “Judy, you’re trying to do something very difficult.” This was her way of saying, It doesn’t work. She was right. But now, as a mature writer and a teacher, no less, now I can handle the difficulties and even enjoy them.

Is this enough of a buzz? Bee Are you waiting breathlessly for me to finish the effing book so I can find a publisher and you can download it onto your Kindle or buy the paper version for your nightstand? I am. Meanwhile, I shall buzz. Better I should get sick of the buzzing than of the book.

 

Posted in Creative Nonfiction, Jewish writing, Persistence, Uncategorized | Tagged , | 8 Comments

Such a rich life and I haven’t even gotten out of bed.

Ten per cent of the human population needs ten hours of sleep or more a night. I am proud to  be part of that exclusive Holy Order of Sleepers. I love to sleep. Over the years I’ve perfected my sleeping, so that what started out as a basic human need has become an art. On nights when I only get six or seven hours, due to some argument with the sleep goddess, I am ornery, mean and what did Hobbes call us? Wretched? Only if I get nine, ten, eleven or dare I admit it – twelve hours of the magic dust, do I wake with a smile, stretch my arms to the heavens and skip to the kitchen for my cup of warm water.

Many people have trouble falling asleep, but not I. First I lie on my back and give a good stretch. Since I have become a vegan, when I lie down I can trace the contours of all my bones. I like that. It pleases me to know everything is in mechanical working order, all set for a night’s sleep. But being open to the world on my back is not good for sleeping, so I flip over onto my stomach. I release into the mattress all obsessive thoughts about the day that has ended and the day that will come, directing them down into China where they belong, as my ankles, knees, pelvis, stomach and chest sink towards China as well. It is at this time that I place my Rolls Royce of a pillow on top of my head where it will shade me from the morning light that penetrates the shudder’s slats.slats

Sometimes, if I cover my head with two pillows, I hear Nikita Khrushchev yell, We will bury you.

The Jewish sages of blessed memory said sleeping is a 60th of death. The main difference of course is that we awake from sleep, but supposedly do not awake from death. Like the poet Theodore Roethke, I take my waking slow. This is the sweetest part of the night, dawn, when I dream, review the dream and then float slowly back up into semi-consciousness. I still see the tail of the dream and I chase it, wanting to grasp that other world where everything I create is brilliant. Once I catch  the tail, I try to remember the other parts of the slippery dream. Sometimes I succeed. I leap over the Grand Canyon, drive semi-trailers, lecture to a room of five hundred people, nurse my babies. Such a rich life and I haven’t even gotten out of bed. Once, when I was nineteen, I saw young boys chasing greased pigs at a fair in Quaker City, Ohio. That’s what I do every morning in bed.

Gradually, I leave the dream world and enter full consciousness. The first thing I do is look at the clock.    clock    Did I set any records? No. Only ten hours tonight. I flip my feet down to the floor, sit on the edge of the bed for a few minutes to make sure the breathing works and then lift up slowly into a standing position, ready for take-off. Ahh, to be an upright homo sapiens in the 21st century. Or is it the 22nd already?

Overcome by height, I lower my discs one by one to touch my toes. Straightening up, I assess the pain in my lower back. Fair to middlin’. All systems go. Slippered, I walk to the living room, open the screen, count the number of pigeon droppings on the porch and celebrate the Sun, that grand patron of time, who has agreed, yet again, to rise.

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Managing a Writing Life in Beit Zayit

Writing is hard, even on a moshav in Israel. You need all the help and support you can get. This winter I’ve managed to organize a whole team to support my writing life. First, I have a landlord who rents me a room next to a horse stable so I’m always promised the strong smell of horse pee. This is excellent for inspiration.

Inspiration

Inspiration

When I get tired of writing in my room, let’s say after thirty minutes, I jump on the landlord’s trampoline. This is excellent for the circulatory system, as long as you don’t get a heart attack in mid-air. I have my landlord to thank for an endless supply of lemons, as well as apathetic dogs, curious cats and silence.

To deal with the damp and cold in my writing room, I have contracted the services of a local master of Shiatsu, who is also studying So Juk. This woman of the magic hands warms my kidneys, locates stoppages of chi in my intestinal track and gets the chi flowing again. When her hands are not enough, she supplements her treatments with Moxa, putting small dried leaves that look like incense on key points on my hands and lighting them (the leaves). When the fires are not enough, she painlessly inserts needles into certain blocked passages in my meridians, as reflected in points on my hands, and within minutes, I am not only physically warm, but flooded with warmth toward my fellow human beings, starting with her. All this attention to my hands is excellent for writing, since I use my fingers.

To keep the chi flowing through the week I attend two Chi Quong classes, both in the morning before my writing sessions. I cannot recommend this highly enough. I go to my writing room calm, open, flexible, balanced and energized.

But this is not all, no this is not all, to quote the cat in the hat.  Recently, after I heard that my mother is again in hospice care in Cleveland for the third time, I hired a woman who is an expert in treating trauma victims through short-term NLP.  NLP stands for neuro linguistic processing, I think, unless it’s neo-Lacanian psychobabble.  After the first session, I had a week of rich dreams that kept me in bed until 9 a.m. Mmmmm. I look forward to NLP helping me cope with writing about the mother I had when I was five while my current mother is dying.

A friend who is a professional choreographer tops off my support staff. She comes to Beit Zayit once a week and dances with me and my friend Sarita, who is partially disabled from juvenile arthritis. After the first week of dancing together, I realized I was partially disabled too, so this intimate class held in Sarita’s living room nurtures all three of us.

With all these professional helpers behind me, I am able to write my memoir on delayed grief for 10-15 hours a week. I am not interested in writing any more than that, because I believe in leading a balanced life and, truth be told, I am a little sick of the book.

To balance my life, I frolic with my grandchildren in Tel Aviv and Haifa at least twice a week, do a little cooking of grains pulses and grasses, a bissel gardening, and take a short walk in the wadi below my house, where, recently, I happened upon these anemones.b

Though some writers do, I rarely go to movies, plays or any kind of entertainment. With such a heavy schedule of writing and the caregivers who support it, I am wiped out by 10 PM and enjoy retiring early. I neither volunteer, nor participate in demonstrations. I could be living in Vermont, for all my involvement in Israel.

If you are interested in becoming a serious writer, I am sure there are a zillion models you could follow, but however you live your writing life, I cannot recommend highly enough the addition of horse pee for inspiration.

Posted in The Writing Life | Tagged , , | 11 Comments

Wizards of Immigration

On Monday I took my two eldest grand kids, five and seven, to see a Hebrew production of The Wizard of Oz at the Abba Hushi Auditorium in Haifa, because I wanted to introduce my Israeli grand kids to the beloved melodies of my American youth. Any resemblance to the 1939 MGM movie was coincidental. The only authentic melody in this Haifa version was “Somewhere Over the Rainbow.” All the other songs sounded like Hebrew entries to the Eurovision Song Contest for Children, circa 1980.

Brick Road I kept my disappointment to myself because the grand kids didn’t know better and were enjoying the show. At least there were no pyrotechnics, typical in many Israeli children’s shows. The set and the costumes were simple and colorful. The basics were there – a storm, a lost girl wanting to find home, two witches, a brick road, three friends, red shoes and a wizard. This production was The Wizard of Oz for beginners. Indeed, the average age was three.

The wizard was played by a man with a paunch (too many kubeh) wearing a red and black dress. Also playing the role of the bad witch, he preferred to make the children laugh rather than shiver in their seats. The many wizards I’ve consulted during my forty-seven years in Israel usually made me cry. The first was a Yekke. He was a psychiatrist and an analyst, or so I thought. Later I learned that he had dropped out of the analytic training at the Israeli Institute of Psychoanalysis. This did not prevent him, though, from using his couch, where I lay many afternoons. He was not your typical psychiatrist-analyst. Once during a session he called his wife in their apartment upstairs and asked her how to make brisket in a pressure cooker. (The man who would become my husband was coming for dinner that night.) From that time on, I suspected this wizard was getting a kickback from The Jewish Agency or the Ministry of Immigration. Many of his clients were new immigrants like me, lost, and looking for the way home.

My next wizard was a female social worker, religious, the mother and grandmother of thousands. I figured she could give me advice for mothering only three. Her best piece of advice was to have me write about my own nuclear family. From there it was a short move  to a movement wizard. In her home  I spent two years of ecstasy crawling around a living room with wall to wall carpet. It was in that safe room with cushions and scarves that I gave birth to myself.

For the next decade I chose a man who got into wizardry from the field of translation. That was an excellent preparation, I figured, and enjoyed another four years of interpretations  and tears. When I learned that he also served as the psychologist for Jerusalem’s basketball team, my love for him increased ten thousandfold. But alas, he left the Holy City for the Emerald City of Ra’anana.

After participating in a psychodrama class for a year, I decided I wanted the teacher all to myself. I signed up for private wizardry. Since her English was not good, I agreed to speak in Hebrew. For fifty minutes a week I poured my heart out in Hebrew. No matter what the content, I always felt good afterwards because I was speaking the holy tongue, surely the tongue of the one and only original Wizard.

Today the only wizard I consult on a regular basis uses Shiatsu. Original tzurris begins in the body and this is the arena where, with the help of gentle hands that press here and push there, that tzurris will be relieved. When my new wizard combines Shiatsu with So Juk and Moxa, I know I have finally come home.

After the production in Haifa my grand kids and I got into a cab. All the way home the driver spoke about fishing for buri (flathead mullet) at Bat Galim. He was daft and confused, not unlike the original wizard of Oz.  I wasn’t worried, though, because finally, I was wearing my red shoes.

Grandma's Red Shoes

Grandma’s Red Shoes

Posted in Identity, Israel, Uncategorized | Tagged , , | 4 Comments

Room for Hope

The word Peace has invaded Israel over the past months like a flight of dangerous birds from a far-away land. Half the country busies itself with figuring out how to get rid of these pests and the other half wants to learn how to live with them.  “Security”—that’s a word everyone knows how to live with, what it looks like, what its absence breeds. But Peace? This is a strange bird.

Strange Bird

Strange Bird

During the snow storm that attacked Israel in mid-December, I had the good fortune to see what Peace looks like. Spending two days in the Emergency Room of Shaare Zedek Hospital in Jerusalem as a “healthy” person accompanying a “sick” person, I witnessed the possible face of a peaceful Jerusalem.

The first sign that Peace was present was that the hundreds of people filling the rooms and corridors of the ER wore a fierce variety of costumes. Some wore white or green matching  pants and shirts. Men wore baseball caps, kippot of all sizes and colors, black furry hats and ear muffs. Women wrapped their heads with turbans from all the colors in the rainbow. Some girls wore skirts to their ankles and others tight leather pants that hugged their legs with violence. All had eyes, ears, noses and mouths. From these mouths a cluster of languages burst forth like grapes in summer: Hebrew, Arabic, English, French, Russian, Amharic, Yiddish, Japanese, Tourist, Worry (scrunched nose and cheeks, eyes half-closed) and Hand (“Help!”)

Religious symbols and names dangled from necks and name tags from shirts. The men and women racing around with the name tags were the helpers—people like you and me who suffer tzurris, fears and maybe bad dreams at night, but who can function during the day. These helpers were multi-taskers who never lost their focus. They worked as a team and I never heard any shouting, not once, except from a needy woman who was new in the ER and didn’t understand that the helper answering her question as best as she could was also taking care of 30-50 other people with similar questions. The needy woman’s loud outburst did not last long. Someone with a large name tag knew how to calm her.

All these helpers had jobs, from the floor washer to the professor, and they all carried out their roles as best they could under the circumstances. The circumstances were the hundreds of needy people who had slipped on the ice in Jerusalem and broken a bone or suffered kidney failure or couldn’t pass urine or a thousand other complications that the human body offers on the cold days, as it does on the hot. The needy were easy to identify: Pain written on their foreheads, an IV stand next to them like a shadow, moans coming from deep in their chests or a scary silence from their depths.

Hovering over around and through the bustle were a band of angels. Some wore the uniform of Beit Yaakov high school girls and they offered free sandwiches from Ezer m’Zion.  Others were volunteers from all walks of life who gave hot soup even to people like me who were only keeping a needy man company while he waited.

A bizarre calm reigned in the bustling room and by the 9th or 10th hour, I realized that this calm in the midst of bustle was what Peace might look like. It was really a marvelous sight to see, this microcosm of what I called Peace. Nobody’s vision of God or two states or one state got in the way. What mattered was the water accumulating in someone’s lungs, the clogged heart, broken wrist, fainting spell, sore knee.

Everyone in the ER waited, sometimes for two hours and sometimes for two days. It was that kind of place. You had to wait because there were so many people crowded into such a small space. Either you could kill each other or wait patiently together. There were drugs to help those writhing in pain and once the writhers were Optalginned into feeling no pain, they too waited their turn for a verdict: Go home; take pills; sleep in the ER; wait for CT; advance to Surgery; Hospice.

In the ER of the frozen City of Peace everyone waited, some for the angel of death and some for the angelic nurse or doctor who asked kindly what kind of pain it was, how often it came, how long it lasted and then felt the liver or spleen or leg with delicate intentional fingers.

During this waiting and watching, I realized that the secret to achieving Peace in this frantic cold piece of geography is to realize we are all needy, wounded and in pain, some more than others, everyone at various times.  What unites us all, no matter what language we speak, are bodies that betray us.

When I want to relax, I will not return to the ER, but I will go there again when I need hope. I will go back to the room for hope to see people who look so different on the outside, wearing their symbols around their necks, on their heads or under their shirts, sitting together, sharing their stories, supporting each other while waiting.

Peace, like a strange bird, is loud as a scream, soft as a moan, crazy and painful as pishing through a plastic tube. Peace hurts. But Peace is the only cure for what ails us.

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Report from the Boonies

November 27th was a sad day and a happy day. The sad part was because Arik Einstein died and listening to all his beautiful songs on the radio made me feel like a part of me had died, the part that longed for the imaginary Israel with a longing that only 20-somethings can muster. It was a happy day because I celebrated my daughter’s 35th birthday with her. We went to a relatively new restaurant in Jerusalem near the shuk, HaMotzi, which is so popular you need a reservation. It was started by a chef who won the local Master Chef competition after he stopped taking drugs. Since we didn’t have a reservation we got to sit at the bar and watch the staff run around and  work like crazy and make themselves sandwiches in between orders. The North African food was delicious, though the deserts were dry. Can you imagine eating chicken balls in strawberries? That’s what my daughter ordered and it was amazing. I had stuffed veggies. Intriguing. Then we walked over to the relatively new design center on Bezalel Street. (Nocturna Beit Café is in the entrance and on the sidewalk.) We did the rounds of the workshops, admired the art and schmoozed with the artists and I felt somewhat guilty that we did not buy anything from them. Everyone had only praise for Jerusalem. It felt like a holiday  in a quieter version of Tel Aviv, much quieter.  We shopped in a store where a woman with blue hair gave me her card should I want an hour of styling. I put on my blue hat with the wide rim for her and asked her if this gave me style. She didn’t reply and I don’t think I’ll be contacting her. For style, I believe in forty years of therapy. Then you can find your own style, if you still have any energy left.

Jerusalem Hand

Jerusalem Hand

Since our upstairs neighbors left in August and took the cable connection with them, we have been without tv. It’s been a quiet four months. I’ve done more reading than I’ve done in the past few years. Today we hooked up David’s laptop to the tv and now we can access movies, music and old tv programs. I was delighted to see Barenboim conduct Mahler’s Fifth at the Chicago Symphony Orchestra. David opted for Beethoven’s Pastoral. The sound is much better than on our CD and I have a feeling that the possibilities are limitless. I know that for most of the advanced world, attaching your computer to a tv screen is no big deal, but for a woman who still remembers the first TV in 1949  that had three channels in orange dots and lots of snow, this is a big deal. I am determined to keep up with modern technology, though I do not have WAZE on my cellphone, despite the fact that our dear friends are the CEO’s parents. When I had to go to Ashdod today, I asked my son for directions and his directions were perfect. I enjoyed seeing the new roads, also not so new for most people, but I get out so rarely, living in the boonies, that to me it’s a big deal to see the road that crosses the country south of  Gedera. And all the work near the entrance to Ashdod. Soon our country will be one large road, but a nice modern road, nothing like the roads in America that are falling apart after fifty years. I’m even getting used to the idea that from our living room we will be able to see the new hi-rise road at the Motza curve. It will provide exciting viewing when we sit in the living room reading Albert Camus and listening to pre-Renaissance music.

I’m wondering how to tie all these threads together and I think it might be the tv- that’s where we listen to Arik Einstein, (don’t) watch Master Chef and will probably spend many hours (not) watching American sit-coms.  Happy Chanukah! To all those who still get excited by candles. And Happy Turkey to all those who relish a good bird.

One more thing. I must boast about my nomination for a Pushcart Prize, because if I don’t boast for myself, who will do it for me? By April I will know if I won, so I am going to enjoy the coming four months to the hilt, wherever that is. The nominated essay is about the day I spent in the Israel Defense Forces, checking it out for my daughter, before she was inducted. It will appear in Brain, Child: A Literary Magazine for Thinking Mothers online in the beginning of December. I must say, when I received notification that my essay was nominated, I cried a few deep cries from satisfaction. All my sitting in front of the screen may bring rewards yet. But even if they don’t, I will continue sitting in front of the screen or holding a pen, because that is what I love to do and apparently, I’m getting better at it. Also, it’s gratifying to know I am a thinking mother. That sure took a long time, too.

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Report from the Writing Room

Last night a student in my writing class at David Yellin College asked me about blogging. Her question reminded me how delinquent I’ve been towards my faithful blog readers. Months ago I promised to keep you posted about my (re)new(ed) commitment to the writing life.  Here’s the long and the short of it.

Having a writing room is glorious. I call it My Soul Room. While in Cleveland in late Sept., I yearned for it. While in Manhattan in early Oct., I fantasized about it. When I returned to Israel on Oct. 4th, I felt at peace. My room welcomed me, its bare white tiled floor, its bare white walls, its collapsible table covered with an Indian floral print from Nachlat Binyamin, its desk with a lectern that supports my laptop so I can stand and work, its used Ikea chair (dirty white fabric, birch frame),  its clean white sink, cupboards full of  Madjool dates, raisins, walnuts, rye crackers, its dirty empty fridge, the deck that overlooks a plant nursery, a deep blue lobelia that didn’t die while I was gone.

I collapsed into my Ikea chair and opened the book I bought at the gift store of the J.P. Morgan Library—The  Testament of Mary by Colm Toibin (Viking, 2012). What a book! Nobody writes like the Irish. (My Hungarian grandmother, when watching the good guys beat up the bad guys on TV westerns, used to say Give it to him, he’s Irish.)

I made order in the memoir I’ve been working on for the past months (years. . .  decades). But then, Yikes. I allowed myself to get derailed. An agent from a Manhattan agency looking for Anglo-Israeli writers put out a feeler on CIWI, a forum for Connecting Independent Writers in Israel. I fell into this trap. I sent her the first two chapters of my manuscript.  She read them and passed on seeing the whole manuscript when it would be completed in 2014 (?)  2015 (?).

Passing pierces the ego with less force than rejecting. I did not fall apart, as I might have done a few years ago, or even a few months ago before I had a writing room. I did not wail, think myself worthless, my writing mundane. I told myself, Judy, you should not allow yourself to be distracted by the marketplace and the glamour of a NY agent. Just keep writing.

The agent, in her kind “passing” email, sent a  synopsis of the first two chapters. As I read this  document I thought, of course they don’t want to see the whole manuscript. Neither would I. Who wants to read about a middle-aged woman who realizes she’s angry at her mother and seeks a therapist. BORing. Even if it does start in a cistern and alludes to the Joseph story.

I ditched that opening and when my head was full of Toibin’s sentences and musings of Mary the mother of Jesus, I started anew. Now I have an opening that dazzles, but I’m not sharing it with anyone until I finish the whole manuscript (2016?  2017?).

I’m spending 2-4 hours in my writing room, 3-6 days a week. This is perfect for me. I have found my space and my pace and to Hell with those who say you should wake up at 5 and work til noon.

I am amazed by my own desire to get up and be in the room right after my morning cup of hot water with lemon, my bowl of oatmeal and millet, and short exercise routine of Yoga and Chi Quong. I don’t even check emails before I leave the house, because I know that will pull me in. Sometimes I walk to the room (seven minutes) and sometimes, when I have to go shopping after the writing session, I drive my little car. Half the time I sit at the collapsible table and rewrite by hand; the other half I stand and either compose or type in the rewrites. I enjoy standing to write. Naturally, I wear a good pair of New Balance walking shoes and curve my pelvis downward, a la Chi Quong, my knees slightly bent. I share these details because you are the only people in the world who could possibly want to know this nitty-gritty information.

Lest you think all is idyllic, though, don’t worry. Don’t be jealous. I’m always having to shoo away the local cats, dogs and spiders, as well as the nasty thoughts that I have passed my writing prime, that I should be demonstrating to End the Occupation,  studying Torah or  Arabic, doing good deeds in the community or cleaning my house. It’s a constant struggle to keep these voices at bay.

Allow me to wish you all a joyous Kislev. May the year be full of no more vacations, sickness, accidents, deaths, or natural disasters and may we all learn to enjoy and nurture a glorious writing routine that, in its inception, is fragile as a young bud.

Posted in Rejection, The Writing Life, Writing Schedule | Tagged , | 6 Comments

A Hobby Like Knitting

In the beginning this blog served as a place for my voice to tread water. I needed reassurance that I was still a writer, even though I wrote only monthly 300-900-word blog posts. Now I’m swimming, writing on a more regular basis, working on larger projects. After a thorough and seasonal soul-search, this blog is  changing directions, inspired by Dara Barnat’s blog mybookandi.wordpress.com

Dara’s blog documented her experience of writing a poetry collection. From the first installment in March, 2011, Dara took a courageous step, because she was aware of the possibility of not finishing the collection. Having your readers know you quit or failed is a strong impetus to persevere, I guess, for Dara finished her book recently.

I haven’t written about my writing life in years because that life morphed into the working life, teaching life, grand mothering and healthy living life. Despite some writers’ reluctance, even refusal, to discuss current projects, I think it will be good for me at this time. Not only will it help me define what I’m doing, but it will also create a buzz for a book that one day may be published.

In Mr. Brown Can Moo! Can You? one of my grand daughter’s top three, Mr. Brown can go like a bee. He can go “BUZZ BUZZ.”  I figure if Mr. Brown can do it, so can I.

Yet, I am still slightly reluctant to talk content. I prefer to talk process. I’m always interested in other writers’ process. The more process we hear about, the more empowered we feel to value our own choices. My process is certainly not what the masters and published authors preach. What I shall describe in future blog posts is the process of a woman who loves to write, but loves to do other things as well, which often interfere with writing.

I recall a poem by Marge Piercy called “For the young who want to.”  Here is the first stanza:

Talent is what they say/ you have after the novel/ is published and favorably/ reviewed. Beforehand what/ you have is a tedious/ delusion, a hobby like knitting.

That’s me, standing in front of my lap top that sits at a slight angle on a lectern. I avoid  sitting in one place too long, prefer standing, engaged as I am in my tedious delusion, knit one, pearl two.

May the coming year bring us all good yarns.  Hatima Tova.

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In Search of the Pefect Hat

I’m a hat person. Each summer I buy two or three new hats. I’m always in search of the perfect hat—one that scrunches into my purse and unfolds miraculously into a perfect bonnet. My fear of skin cancer has driven me to contemplate using a veil, slits for the eyes.  My skin doctor doesn’t believe in sunscreens. “Only hats with a ten centimeter rim… minimum,” he says, after scraping nasty cells off my skin like ketchup off a bun.  Despite the pull of the veil, I shop for hats,  a measuring tape always in my purse. But ten centimeters do not give me maximum shade. And a rim over ten makes me look like a walking wok cover.

Seeking ultimate protection this year, in mid-June I bought a parasol.

partop

When I stood counting my shekels in the little shop on Derech Beit Lechem in Jerusalem, I pictured using the painted umbrella in Tel Aviv. I imagined wearing a white summer dress with a twirling skirt and comfortable walking shoes. My purse would be securely backpacked on my back, my hair unhatted and free to blow in the hot ocean breeze. Both hands would  twirl my parasol as I pranced down the avenues—Arlosoroff, Ibn Gvirol, Ben-Gurion, the Promenade—smiling coyly and blinking  at handsome young men as they passed and stared, becoming the flirt I never dared to be. I would be the essence of summer ease, strolling with my parasol in the city that accepts everything and I would be 100 per cent protected from the wicked sun

Whatever was I thinking? Fifth Avenue Easter Parade circa 1951?  Champs Elysees circa 1925? Hadn’t the saleswoman mentioned Paris? Isn’t parasol a French word? But when I go to Tel Aviv every week, I go to babysit my granddaughter. We crawl on the floor in pajamas and read Good Night Moon in the afternoon. Who wants to go outside where the air is sticky and thick? And aren’t parasols supposed to be delicate and dainty? Mine is more reminiscent of a morning with Moloch than an afternoon by the Seine.

Yet, I always take my parasol with me, closed in my red plastic shopping basket and leaning against a bottle of water, a book and fresh figs. Yes, I wear a ten centimeter rim hat and shlep the parasol. Never once this summer have I used the arty creation, neither in Tel Aviv nor Jerusalem. Perhaps it’s the vivid colors, the unusual design. Perhaps I need a third hand or a servant to walk next to me holding it above my head. Perhaps I need that white summer dress with a skirt that twirls.

At home everyday the parasol stands at attention, reporting for service next to the hat chair.

par2It has become a crazy prop rather than a means of protection.  Maybe I will hang it upside down from a light fixture or open it and let it reveal its intricate inner parts.

 innerParInside the house it’s delicate slats will be safe from sudden winds. Its vibrant colors will be protected from the fierce rays of the sun, that old sun who just roll around heaven all day and damage our skin.

moreinnerpar

Posted in Bethlehem Road, Uncategorized, Walking | Tagged , , , | 10 Comments

On the Way to the Promised Land

Rav Kav Smart Card

On the way to The Writing Gym yesterday I got off the Light Rail at Jerusalem’s Central Bus Station to “load” my Rav Kav, a smart card for bus and train. #172 was in the office.  I was #182.  It was 8:44. Three clerks were working.  I figured I’d complete my business by 9:12 and arrive at The Writing Gym by 9:30, but just then two of the clerks dressed in blue Egged shirts left the office to talk on their smart phones.  I got anxious.  As time passed and #173 hadn’t yet been called in, I became frustrated and angry,  so I accosted the next clerk who walked by in a blue Egged shirt.  “Why don’t you people help the public like you’re supposed to,” I said,  pointing to the crowd that had grown to #198.  He lifted his shoulders and chin as if to say It’s God’s will and walked away.

Meanwhile, a woman with short gray hair approached and asked me if this was the office for buying a Rav Kav. I told her to take a number and wait. She started with the questions. Where are you from? How long have you been here? Where do you live? etc. etc.  I threw them right back and learned she was a science teacher (K-12) from Anniston,  a small town in northeastern Alabama.  She was visiting Israel on a summer study program at the Hebrew University,  along with other teachers from China and Canada.  “We’re learning how hi-tech is changing the world.”  The more she described her studies and field trips, the more incredulous I became.  People come to Israel from around the  world to learn how to help large populations solve their problems.  My heart overflowed with pride in the Jewish People just as my number came up.

The clerk said she couldn’t load my smart card, “not on this computer.”  Nor could she tell me how many journeys were left on my card.  I’d have to go to a room opposite platform 6.  “Or ask a bus driver.”

“Why isn’t there a sign?” I said,  leaving in a huff,  no time left to finish my business.

On Jaffa Road a woman stopped me for directions. I knew exactly how to get to Café Rimon and told her so,  which reminded me of the Torah reading from Shabbat,  last chapters of the Book of NumbersMas’e,  it’s called,  journeys,  a detailed review of the stops along the way to the Promised Land.  No maps, no signs other than clouds and fire,  scant description of the destination,  boring menu,  little water,  no entertainment along the way.  Had I been on that journey, I would have been among those harking for the squash and garlic of Egypt.  I would have danced with gusto around the Golden Calf.

Knowing what I know about myself now,  I doubt I would have joined the Exodus,  especially if I had been in my 60’s at the time.  As I age,  I like crowds less.  Re travel, I prefer to stand in one place and watch.  Going from here to there,  pitching a tent one day and taking it down the next would have driven me crazy.  I like events that are well-planned.  Of delicate feet,  I would have been the first one to get blisters and a cough, even in the summer.  Granted, I like to walk,  but six days a week?  If I walk on a Sunday, on Monday I rest.  If I collect manna on a Tuesday, I sleep in Wednesday morning.  Maybe if I were twenty or thirty I would have said What the hell, rubbed the blood on the doorpost and joined the crowd.

The tour organizer, God, did a lousy job. He should have told the whole group the route before they set out,  or at least after they survived crossing the sea. He expected too much from ordinary people,  let alone slaves, though on second thought, maybe only slaves would have joined such a poorly organized journey. It was life or death.

Successful entrepreneurs and busy mothers certainly wouldn’t have joined such a scheme. That’s why it’s all the more miraculous that a teacher  from Alabama has come to Israel to learn how to take the salt out of sea water and create food for hundreds from one little tomato seed,  how,  in short, the descendants of those slaves turned the world into stories that nobody could have imagined even forty years ago when we all wandered in the desert of stupidity without  smart cards.

It was only 9:28 and the day’s journey had already offered a feast.

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